Classifier Instance:

Anchor text: Wild at Heart
Target Entity: Wild_at_Heart_\u0028film\u0029
Preceding Context: Since its release, Mulholland Drive has, according to two film scholars, "garnered both some of the harshest epithets and some of the most lavish praise in recent cinematic history". It received acclaim from many critics, such as Roger Ebert of the Chicago Sun-Times, who had given negative or mixed reviews to most of Lynch's previous films, but awarded the film four stars and commented, "David Lynch has been working toward Mulholland Drive all of his career, and now that he's arrived there I forgive him for
Succeeding Context: (1990) and even Lost Highway (1997). At last his experiment doesn't shatter the test tubes. The movie is a surrealist dreamscape in the form of a Hollywood film noir, and the less sense it makes, the more we can't stop watching it." In The New York Times, Stephen Holden said the film "ranks alongside Fellini's 8½ and other auteurist fantasias as a monumental self-reflection" and added, "Looked at lightly, it is the grandest and silliest cinematic carnival to come along in quite some time: a lurching journey through one filmmaker's personal fun house. On a more serious level, its investigation into the power of movies pierces a void from which you can hear the screams of a ravenous demon whose appetites can never be slaked." Edward Guthmann of the San Francisco Chronicle called it "exhilarating ... for its dreamlike images and fierce, frequently reckless imagination" and added, "(t)here's a mesmerizing quality to its languid pace, its sense of foreboding and its lost-in-time atmosphere ... it holds us, spellbound and amused, for all of its loony and luscious, exasperating 146 minutes [and] proves that Lynch is in solid form—and still an expert at pricking our nerves."
Paragraph Title: Critical reception
Source Page: Mulholland Drive (film)

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