Classifier Instance:

Anchor text: Möbius strip
Target Entity: M\u00f6bius_strip
Preceding Context: Another theory offered is that the narrative is a
Succeeding Context: , a twisted band that has no beginning and no end. In another interpretation Betty and Rita, and Diane and Camilla may exist in parallel universes that sometimes interconnect. Or the entire film is a dream, but whose dream is unknown. Repeated references to beds, bedrooms, and sleeping symbolize the heavy influence of dreams. Rita falls asleep several times; in between these episodes, disconnected scenes such as the men having a conversation at Winkies, Betty's arrival in Los Angeles, and the bungling hit man take place suggesting that Rita may be dreaming them. Significantly, the opening shot of the film according to film scholar Ruth Perlmutter, pans over a bed, instilling the necessity to ask if what follows is reality. Professor of dream studies Kelly Bulkeley argues that the early scene at the diner, as the only one in which dreams or dreaming are explicitly mentioned, illustrates "revelatory truth and epistemological uncertainty in Lynch's film". The monstrous being from the dream, who is the subject of conversation of the men in Winkies, reappears at the end of the movie right before and after Diane commits suicide. Bulkeley asserts that the lone discussion of dreams in that scene presents an opening to "a new way of understanding everything that happens in the movie".
Paragraph Title: null
Source Page: Mulholland Drive (film)

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