Classifier Instance:

Anchor text: Metropolis
Target Entity: Metropolis_\u0028film\u0029
Preceding Context: In any case, the large image size and unprecedented intimacy the actor enjoyed with the audience began to affect acting style, making for more subtlety of expression. Actresses such as Mary Pickford in all her films, Eleonora Duse in the Italian film Cenere (1916), Janet Gaynor in Sunrise, Priscilla Dean in Outside the Law and White Tiger, and Lillian Gish and Greta Garbo in most of their performances made restraint and easy naturalism in acting a virtue. Directors such as Albert Capellani (a French director who also did work in America directing Alla Nazimova films) and Maurice Tourneur insisted on naturalism in their films. Tourneur had been just such a minimalist in his prior stage productions. By the mid-1920s many American silent films had adopted a more naturalistic acting style, though not all actors and directors accepted naturalistic, low-key acting straight away; as late as 1927, films featuring expressionistic acting styles, such as
Succeeding Context: , were still being released. Some viewers liked the flamboyant acting for its escape value, and some countries were later than the United States in embracing naturalistic style in their films. Just as today, a film's success depended upon the setting, the mood, the script, the skills of the director, and the overall talent of the cast.
Paragraph Title: Acting techniques
Source Page: Silent film

Ground Truth Types:

|---wordnet_entity_100001740
|  |---wordnet_artifact_100021939
|  |  |---wordnet_creation_103129123
|  |  |  |---wordnet_product_104007894
|  |  |  |  |---wordnet_movie_106613686
|  |  |  |  |  |---wordnet_movie_106613686_rest
|  |---wordnet_event_100029378
|  |  |---wordnet_social_event_107288639
|  |  |  |---wordnet_show_106619065
|  |  |  |  |---wordnet_movie_106613686
|  |  |  |  |  |---wordnet_movie_106613686_rest

Predicted Types:

TypeConfidenceDecision
wordnet_artifact_1000219391.253571597400079 1
wordnet_instrumentality_103575240-0.7996610701941902 0
wordnet_structure_104341686-1.309581896095256 0
wordnet_facility_103315023-5.294389854637614 0
wordnet_creation_1031291232.4172794751365756 1
wordnet_product_1040078942.845624310961857 1
wordnet_end_product_103287178-4.092021606694947 0
wordnet_work_104599396-2.884384067121609 0
wordnet_movie_1066136863.075255496196077 1
wordnet_musical_107019172-1.5228585009157682 0
wordnet_documentary_106616806-2.9938496027588744 0
wordnet_art_102743547-3.1847851242038443 0
wordnet_article_100022903-3.349104996702236 0
wordnet_commodity_103076708-4.150298356884265 0
wordnet_way_104564698-4.4865317202463215 0
wordnet_covering_103122748-3.770511980264458 0
wordnet_event_100029378-0.12363039054864484 0
wordnet_organization_108008335-1.9056636414583585 0
wordnet_person_100007846-1.255028703901697 0
yagoGeoEntity-1.0225591500273241 0
|---wordnet_entity_100001740
|  |---wordnet_artifact_100021939
|  |  |---wordnet_instrumentality_103575240
|  |  |---wordnet_structure_104341686
|  |  |---wordnet_facility_103315023
|  |  |---wordnet_creation_103129123
|  |  |  |---wordnet_product_104007894
|  |  |  |  |---wordnet_end_product_103287178
|  |  |  |  |---wordnet_work_104599396
|  |  |  |  |---wordnet_movie_106613686
|  |  |  |  |  |---wordnet_musical_107019172
|  |  |  |  |  |---wordnet_documentary_106616806
|  |  |  |---wordnet_art_102743547
|  |  |---wordnet_article_100022903
|  |  |---wordnet_commodity_103076708
|  |  |---wordnet_way_104564698
|  |  |---wordnet_covering_103122748
|  |---wordnet_event_100029378
|  |---wordnet_organization_108008335
|  |---wordnet_person_100007846
|  |---yagoGeoEntity
|  |  |---wordnet_structure_104341686
|  |  |---wordnet_facility_103315023
|  |  |---wordnet_way_104564698