Classifier Instance:

Anchor text: Stenka Razin
Target Entity: Stenka_Razin
Preceding Context: Film scores for early silent films were either improvised or compiled of classical or theatrical repertory music. Once full features became commonplace, however, music was compiled from photoplay music by the pianist, organist, orchestra conductor or the movie studio itself, which included a cue sheet with the film. These sheets were often lengthy, with detailed notes about effects and moods to watch for. Starting with the mostly original score composed by Joseph Carl Breil for D. W. Griffith's groundbreaking epic The Birth of a Nation (USA, 1915) it became relatively common for the biggest-budgeted films to arrive at the exhibiting theater with original, specially composed scores. However, the first designated full blown scores were composed earlier, in 1908, by Camille Saint-Saëns, for The Assassination of the Duke of Guise , and by Mikhail Ippolitov-Ivanov, for
Succeeding Context:
Paragraph Title: Live music and sound
Source Page: Silent film

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