Classifier Instance:

Anchor text: Steve Reich
Target Entity: Steve_Reich
Preceding Context: His music is usually based on improvising through a series of modal figures of different lengths, such as in In C (1964)and the Keyboard Studies. The first performance of In C was given by
Succeeding Context: , Jon Gibson, Pauline Oliveros, and Morton Subotnick. Its form was an innovation: The piece consists of 53 separate modules of roughly one measure apiece, each containing a different musical pattern but each, as the title implies, in the key of C. One performer beats a steady pulse of Cs on the piano to keep tempo. The others, in any number and on any instrument, perform these musical modules following a few loose guidelines, with the different musical modules interlocking in various ways as time goes on. To some extent, though, critics have focused too obsessively on In C, thereby ignoring the full range of Riley's work and innovations. The Keyboard Studies are similarly structured, a single-performer version of the same concept.
Paragraph Title: Techniques
Source Page: Terry Riley

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