Classifier Instance:

Anchor text: Okeh
Target Entity: Okeh_Records
Preceding Context: Although the band recorded numerous sides for Victor during this period, none of them showcases Beiderbecke's most famous solos. Much of Goldkette's money was made through these records, but they were subject—as Eddie King had well understood—to the forces of the commercial market. As a result, their sound was often "sweeter" than what many of the hot jazz musicians would have preferred. In addition to their sessions with Goldkette, Beiderbecke and his friends recorded under their own names for the
Succeeding Context: label. For instance, on February 4, 1927, Frank Trumbauer and His Orchestra recorded "Trumbology", "Clarinet Marmalade", and "Singin' the Blues", all three of which featured some of Beiderbecke's best work. Again with Trumbauer, Beiderbecke re-recorded Carmichael's "Riverboat Shuffle" in May and delivered two of his best known solos a few days later on "I'm Coming, Virginia" and "Way Down Yonder in New Orleans". Beiderbecke earned co-writing credit with Trumbauer on "For No Reason at All in C", recorded under the name Tram, Bix and Eddie (in their Three Piece Band). Beiderbecke switched between cornet and piano on that number, and then in September played only piano for his recording of "In A Mist". This was perhaps the most fruitful year of his short career.
Paragraph Title: Goldkette
Source Page: Bix Beiderbecke

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