Classifier Instance:

Anchor text: Giotto di Bondone
Target Entity: Giotto_di_Bondone
Preceding Context: The pigment was most extensively used during the 14th through 15th centuries, as its brilliance complemented the vermilion and gold of illuminated manuscripts and Italian panel paintings. It was valued chiefly on account of its brilliancy of tone and its inertness in opposition to sunlight, oil, and slaked lime. It is, however, extremely susceptible to even minute and dilute mineral acids and acid vapors. Dilute HCl, HNO 3 , and H 2 SO 4 rapidly destroy the blue color, producing hydrogen sulfide (H 2 S) in the process. Acetic acid attacks the pigment at a much slower rate than mineral acids. Ultramarine was only used for frescoes when it was applied "secco" because fresco's absorption rate made its use cost prohibitive. The pigment was mixed with a binding medium like egg and applied over dry plaster (such as
Succeeding Context: 's frescos in the Cappella degli Scrovegni or Arena Chapel in Padua).
Paragraph Title: null
Source Page: Ultramarine

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