Classifier Instance:

Anchor text: filter
Target Entity: Photographic_filter
Preceding Context: Hall's approach was to create peaceful compositions that evoked classicism, to contrast with the turbulent on-screen events and allow audiences to take in the action. Hall and Mendes would first discuss the intended mood of a scene, but he was allowed to light the shot in any way he felt necessary. In most cases, Hall first lit the scene's subject by "painting in" the blacks and whites, before adding fill light, which he reflected from beadboard or white card on the ceiling. This approach gave Hall more control over the shadows while keeping the fill light unobtrusive and the dark areas free of spill. Hall shot American Beauty in a in the Super 35 format, using Kodak Vision 500T 5279 35 mm film stock. He used Super 35 partly because its larger scope allowed him to capture elements such as the corners of the petal-filled pool in its overhead shot, creating a frame around Angela within. He shot the whole film at the same T-stop (T1.9); given his preference for shooting that wide, Hall favored high-speed stocks to allow for more subtle lighting effects. He used Panavision Platinum cameras with the company's Primo series of prime and zoom lenses. Hall employed Kodak Vision 200T 5274 and EXR 5248 stock for scenes with daylight effects. He had difficulty adjusting to Kodak's newly introduced Vision release print stock, which, combined with his contrast-heavy lighting style, created a look with too much contrast. Hall contacted Kodak, who sent him a batch of 5279 that was 5% lower in contrast. Hall used a 1/8 inch Tiffen Black ProMist
Succeeding Context: for almost every scene, which he said in retrospect may not have been the best choice, as the optical steps required to blow Super 35 up for its anamorphic release print led to a slight amount of degradation; therefore, the diffusion from the filter was not required. When he saw the film in a theater, Hall felt that the image was slightly unclear and that had he not used the filter, the diffusion from the Super 35–anamorphic conversion would have generated an image closer to what he originally intended.
Paragraph Title: null
Source Page: American Beauty (film)

Ground Truth Types:

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Predicted Types:

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