Classifier Instance:

Anchor text: Rendez-Vous
Target Entity: Rendez\u002dVous_\u0028Jean_Michel_Jarre_album\u0029
Preceding Context: In 1985 Jarre was invited by the musical director of the Houston Grand Opera to perform a concert celebrating Texas's 150th anniversary. Although he was busy with other projects and was at first unimpressed by the proposal, on a later visit to the city he was immediately impressed by the visual grandeur of the city's skyline, and agreed to perform. 1985 also marked the 25th anniversary of the foundation of the Lyndon B. Johnson Space Center, and Jarre was contacted by NASA to integrate the anniversary into the concert.
Succeeding Context: was created over a period of about two months, and as with Zoolook, contains elements of his 1983 album Musique pour Supermarché. Its three movements represent Houston's development, from a rural economy, to its role as a leader in space technology. Baroque in style, the album uses a mixture of French horns, trombones and violins, and features heavy use of the Elka Synthex, notably so on "Third Rendez-Vous", a track Jarre often performs using a laser harp. Jarre worked with several Houston-based astronauts including Bruce McCandless II, and former Jazz musician Ronald McNair, who was to have played the saxophone on "Rendez-Vous VI", recorded in the weightless environment of space. McNair's planned live performance was curtailed by the Space Shuttle Challenger disaster on 28 January 1986. Consideration was given to the cancellation of the concert, but Jarre was contacted by McCandless and urged to proceed, in memory of the shuttle's crew. McNair's saxophone piece was recorded by Kirk Whalum and retitled "Ron's Piece".
Paragraph Title: 1985–1989
Source Page: Jean Michel Jarre

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