Classifier Instance:

Anchor text: Anjelica Huston
Target Entity: Anjelica_Huston
Preceding Context: According to Kaminsky, much of Huston's vision probably came from his early experience as a painter on the streets of Paris. While there, he studied art and worked at it for a year and a half. Huston continued painting as a hobby for most of his life. Kaminsky also notes that most of Huston's films "reflected this prime interest in the image, the moving portrait and the use of color." Huston explored the use of "stylistic framing", especially well-planned close-ups, in much of his directing. In his first film, The Maltese Falcon, for instance, Huston sketched out all of his scenes beforehand, "like canvases of paintings". His daughter,
Succeeding Context: adds that even for his subsequent films, he sketched storyboards "constantly". She agrees that for her father, "it was a form of study, and my father was a painter, a very good one." She also notes that "there was an extremely developed sensory quality about my father, he didn't miss a trick."
Paragraph Title: Directing techniques
Source Page: John Huston

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