Classifier Instance:

Anchor text: Lolita
Target Entity: Lolita
Preceding Context: Turan cited Ball's lack of constraint when writing the film as the reason for its uniqueness, in particular the script's subtle changes in tone. McCarthy said the script was "as fresh and distinctive" as any of its American film contemporaries, and praised how it analyzed the characters while not compromising narrative pace. He called Ball's dialogue "tart" and said the characters—Carolyn excepted—were "deeply drawn". One other flaw, McCarthy said, was the revelation of Col. Fitts' homosexuality, which he said evoked "hoary Freudianism". Jackson said the film transcended its clichéd setup to become a "wonderfully resourceful and sombre comedy". He said that even when the film played for sitcom laughs, it did so with "unexpected nuance". Hentzi criticized how the film made a mystery of Lester's murder, believing it manipulative and simply a way of generating suspense. McCarthy cited the production and costume design as pluses, and said the soundtrack was good at creating "ironic counterpoint[s]" to the story. Hentzi concluded that American Beauty was "vital but uneven"; he felt the film's examination of "the ways which teenagers and adults imagine each other's lives" was its best point, and that although Lester and Angela's dynamic was familiar, its romantic irony stood beside "the most enduring literary treatments" of the theme, such as
Succeeding Context: . Nevertheless, Hentzi believed that the film's themes of materialism and conformity in American suburbia were "hackneyed". McCarthy conceded that the setting was familiar, but said it merely provided the film with a "starting point" from which to tell its "subtle and acutely judged tale". Maslin agreed; she said that while it "takes aim at targets that are none too fresh", and that the theme of nonconformity did not surprise, the film had its own "corrosive novelty". Ebert awarded American Beauty four stars out of four, and Turan said it was layered, subversive, complex and surprising, concluding it was "a hell of a picture".
Paragraph Title: null
Source Page: American Beauty (film)

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