Classifier Instance:

Anchor text: Douglas Trumbull
Target Entity: Douglas_Trumbull
Preceding Context: If one film could be said to have established a new high-bench mark for special effects, it would be 1968's , directed by Stanley Kubrick, who assembled his own effects team (
Succeeding Context: , Tom Howard, Con Pedersen and Wally Veevers) rather than use an in-house effects unit. In this film, the spaceship miniatures were highly detailed and carefully photographed for a realistic depth of field. The shots of spaceships were combined through hand-drawn rotoscopes and careful motion-control work, ensuring that the elements were precisely combined in the camera – a surprising throwback to the silent era, but with spectacular results. Backgrounds of the African vistas in the "Dawn of Man" sequence were combined with soundstage photography via the then-new front projection technique. Scenes set in zero-gravity environments were staged with hidden wires, mirror shots, and large-scale rotating sets. The finale, a voyage through hallucinogenic scenery, was created by Douglas Trumbull using a new technique termed slit-scan.
Paragraph Title: The science fiction boom
Source Page: Special effect

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