Classifier Instance:

Anchor text: Cassiano dal Pozzo
Target Entity: Cassiano_dal_Pozzo
Preceding Context: At the time the papacy was Rome’s foremost patron of the arts. Poussin’s Martyrdom of St. Erasmus for St. Peter’s was Poussin’s only papal commission, secured for him by Cardinal Barberini, the papal nephew, and Poussin was not asked again to contribute major altarpieces or paint large scale decorations for a pope. His subsequent career depended on private patronage. Apart from Cardinal Francesco Barberini, his first patrons included Cardinal Luigi Omodei, for whom he produced the Triumphs of Flora (c 1630–32, Louvre); Cardinal de Richelieu, who commissioned various Bacchanals; Vincenzo Giustiniani, for whom he painted the Massacre of the Innocents (uncertain early date, Museé Condé, Chantilly)
Succeeding Context: ;who became the owner of the first series of the Seven Sacraments (late 1630s, Belvoir Castle); and Paul Fréart de Chantelou, with whom Poussin, at the call of Sublet de Noyers, returned to France in 1640.
Paragraph Title: null
Source Page: Nicolas Poussin

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