Classifier Instance:

Anchor text: Ernesto Nicolini
Target Entity: Ernesto_Nicolini
Preceding Context: During the 19th century, for instance, New York and London based critics, including Henry Chorley, Herman Klein, and George Bernard Shaw, castigated a succession of visiting Mediterranean tenors for resorting to an excessive, constantly pulsating vibrato during their performances. Shaw called the worst offenders "goat bleaters" in his book Music in London 1890-1894 (Constable, London, 1932). Among those censured for this failing were such celebrated figures as Enrico Tamberlik, Julián Gayarre, Roberto Stagno, Italo Campanini and
Succeeding Context: —not to mention Fernando Valero and Fernando De Lucia, whose tremulous tones are preserved on the 78-rpm discs that they made at the beginning of the 20th century.
Paragraph Title: In opera
Source Page: Vibrato

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