Classifier Instance:

Anchor text: Károly Kerényi
Target Entity: K\u00e1roly_Ker\u00e9nyi
Preceding Context: Dionysus has remained an inspiration to artists, philosophers and writers into the modern era. In The Birth of Tragedy (1872), the German philosopher Friedrich Nietzsche contrasted Dionysus with the god Apollo as a symbol of the fundamental, unrestrained aesthetic principle of force, music, and intoxication versus the principle of sight, form, and beauty represented by the latter. Nietzsche also claimed that the oldest forms of Greek Tragedy were entirely based on suffering of Dionysus. Nietzsche continued to contemplate the character of Dionysus, which he revisited in the final pages of his 1886 work Beyond Good and Evil. This reconceived Nietzschean Dionysus was invoked as an embodiment of the central will to power concept in Nietzsche's later works The Twilight of the Idols, The Antichrist and Ecce Homo.
Succeeding Context: , a scholar in classical philology and one of the founders of modern studies in Greek mythology characterized Dionysus as representative of the psychological life force (Zoê). Other scholars proposing psychological interpretations have placed Dionysus' emotionality in the foreground by focusing on the joy, terror or hysteria associated with the god.
Paragraph Title: Modern views
Source Page: Dionysus

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