Classifier Instance:

Anchor text: Tempio Malatestiano
Target Entity: Tempio_Malatestiano
Preceding Context: The Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch (best known for the elegantly polished vernacular sonnet sequence of the Canzoniere and for the craze for book collecting that he initiated) and his friend and contemporary Boccaccio (author of the Decameron). Famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci (Morgante), Matteo Maria Boiardo (Orlando Innamorato), and Ludovico Ariosto (Orlando Furioso). 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek. In the early 16th century, Castiglione (The Book of the Courtier) laid out his vision of the ideal gentleman and lady, while Machiavelli cast a jaundiced eye on "la verita effetuale delle cose"the actual truth of thingsin The Prince, composed, humanist style, chiefly of parallel ancient and modern examples of Virtù. Italian Renaissance painting exercised a dominant influence on subsequent European painting (see Western painting) for centuries afterwards, with artists such as Giotto di Bondone, Masaccio, Piero della Francesca, Domenico Ghirlandaio, Perugino, Michelangelo, Raphael, Botticelli, Leonardo da Vinci, and Titian. The same is true for architecture, as practiced by Brunelleschi, Leone Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peter's Basilica in Rome, and the
Succeeding Context: in Rimini (to name only a few, not to mention many splended private residences: see Renaissance architecture). Finally, the Aldine Press, founded by the printer Aldo Manuzio, active in Venice, developed Italic type and the small, relatively portable and inexpensive printed book that could be carried in one's pocket, as well as being the first to publish editions of books in Ancient Greek. Yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy (due to the opening up of the Atlantic trade routes and repeated foreign invasions) and of little progress in experimental science, which made its great leaps forward among Protestant culture in the 17th century.
Paragraph Title: null
Source Page: History of Italy

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