Classifier Instance:

Anchor text: The Tombs
Target Entity: The_Tombs
Preceding Context: The novella was adapted for the stage almost immediately. Three productions opened on 5 February 1844 with one by Edward Stirling sanctioned by Dickens and running for more than forty nights. By the close of February 1844, eight rival Carol theatrical productions were playing in London. Stirling's version played New York City's Park Theatre during the Christmas season of 1844 and was revived in London the same year. Hundreds of newsboys gathered for a musical version of the tale at the Chatham Theatre in New York City in 1844, but brawling broke out which was only quelled when offenders were led off by police to
Succeeding Context: . Even after order had been restored in the theatre, the clamorous cries of one youngster drowned out the bass drum that ushered Marley onto the stage as he rose through a trap door. Other media adaptations include film, a radio play, and a television version. In all there are at least 28 film versions of the tale. The earliest surviving one is Scrooge; or Marley's Ghost (1901), a silent British version. Six more silent versions followed with one made by Thomas Edison in 1910. The first sound version was made in Britain in 1928. Albert Finney won a Golden Globe as Scrooge in a musical film in 1970 but critical consensus deems the 1951 version starring Alastair Sim the very best adaptation on film (Kelly 28). Other media adaptations include a popular radio play version in 1934 starring Lionel Barrymore, an American television version from the 1940s, and, in 1949, the first commercial sound recording with (Standiford 171–3).
Paragraph Title: Impact
Source Page: A Christmas Carol

Ground Truth Types:

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