Classifier Instance:

Anchor text: Robert Morris
Target Entity: Robert_Morris_\u0028artist\u0029
Preceding Context: The art critic Rosalind Krauss argued that by 1968 artists such as
Succeeding Context: , Robert Smithson, and Richard Serra had "entered a situation the logical conditions of which can no longer be described as modernist." Sound art found itself in the same condition, but with an added emphasis on distribution. Antiform process art became the terms used to describe this postmodern post-industrial culture and the process by which it is made. Serious art music responded to this conjuncture in terms of intense noise, for example the La Monte Young composition 89 VI 8 C. 1:42–1:52 AM Paris Encore from Poem For Chairs, Tables, Benches, Etc. Young's composition Two Sounds (1960) was composed for amplified percussion and window panes and his Poem for Tables, Chairs and Benches (1960) used the sounds of furniture scraping across the floor.
Paragraph Title: null
Source Page: Noise music

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