Classifier Instance:

Anchor text: Battle of Agincourt
Target Entity: Battle_of_Agincourt
Preceding Context: Director Charlie Kaufman uses this concept often in his films. It can be seen most in the 2008 film Synecdoche, New York. The main character Caden Cotard is a skilled director of plays and he receives a grant to make a remarkable theater piece. He ends up creating a carbon copy of the outside world. The 2001 film Moulin Rouge! features a fictitious musical within a film, called "Spectacular Spectacular", which itself may have been based on an ancient Sanskrit play, The Little Clay Cart. The 1942 Ernst Lubitsch comedy To Be or Not to Be confuses the audience in the opening scenes with a play about Adolf Hitler appearing to be taking place within the actual plot of the film. Thereafter, the acting company players serve as the protagonists of the film and frequently use acting/costumes to deceive various characters in the film. Hamlet also serves as an important throughline in the film, as suggested by the title. Laurence Olivier sets the opening scene of his 1944 film of Henry V in the tiring room of the old Globe Theatre as the actors prepare for their roles on stage. The early part of the film follows the actors in these "stage" performances and only later does the action almost imperceptibly expand to the full realism of the
Succeeding Context: . By way of increasingly more artificial sets (based on mediaeval paintings) the film finally returns to The Globe.
Paragraph Title: Play within a film
Source Page: Story within a story

Ground Truth Types:

Predicted Types:

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