Classifier Instance:

Anchor text: secessionist
Target Entity: Berlin_Secession
Preceding Context: Around the turn of the century, Munch worked to finish the "Frieze". He painted a number of pictures, several of them in larger format and to some extent featuring the Art Nouveau aesthetics of the time. He made a wooden frame with carved reliefs for the large painting Metabolism (1898), initially called Adam and Eve. This work reveals Munch's preoccupation with the "fall of man" myth and his pessimistic philosophy of love. Motifs such as The Empty Cross and Golgotha (both c. 1900) reflect a metaphysical orientation, and also echo Munch's pietistic upbringing. The entire Frieze showed for the first time at the
Succeeding Context: exhibition in Berlin in 1902.
Paragraph Title: Frieze of Life — A Poem about Life, Love and Death
Source Page: Edvard Munch

Ground Truth Types:

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