Classifier Instance:

Anchor text: Love Child
Target Entity: Love_Child_\u0028song\u0029
Preceding Context: Holland-Dozier-Holland left Motown in early 1968 after a dispute with the label over royalties and profit sharing, and the quality of Motown's output (and Diana Ross & the Supremes' records in particular) began to falter. From "Reflections" in 1967 to "The Weight" in 1969, only six out of the eleven released singles reached the Top 20, and only one of those, 1968's "
Succeeding Context: ", [http://digital.library.unt.edu/ark:/67531/metadc19831/m1/ Show 50 – The Soul Reformation: Phase three, soul music at the summit. [Part 6] : UNT Digital Library] made it to number one. Due to the tension within the group and stringent touring schedules, neither Mary Wilson nor Cindy Birdsong appear on many of these singles; they were replaced on these recordings by s such as . The changes within the group and their decreasing sales were signs of changes within the music industry. The -based soul of female performers such as had eclipsed The Supremes' pop-based sound, which had by now evolved to include more middle-of-the-road material. In a cultural climate now influenced more than ever by movements such as the , The Supremes found themselves attacked for not being "black enough", and lost ground in the black music market.
Paragraph Title: Ross' departure
Source Page: The Supremes

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