Classifier Instance:

Anchor text: Venice
Target Entity: Venice
Preceding Context: Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces characterised by dense colour. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. "As in Rossetti's previous reforms, the new kind of subject appeared in the context of a wholesale reconfiguration of the practice of painting, from the most basic level of materials and techniques up to the most abstract or conceptual level of the meanings and ideas that can be embodied in visual form." These new works were based not on medievalism, but on the Italian High Renaissance artists of
Succeeding Context: , Titian and Veronese.
Paragraph Title: A new direction
Source Page: Dante Gabriel Rossetti

Ground Truth Types:

Predicted Types:

Type	Confidence	Decision
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wordnet_event_100029378	-1.4762673815861285	0
wordnet_organization_108008335	-1.0721530770065473	0
wordnet_person_100007846	-1.227084522522574	0
yagoGeoEntity	-0.029745914623756062	0