Classifier Instance:

Anchor text: Royal National Theatre
Target Entity: Royal_National_Theatre
Preceding Context: However much Gielgud may have wished to stay in America, his return to London in 1937 had an enormous influence on the development of English Theatre. In 1937/38, he brought his celebrity and talent to bear in producing a season of plays at the Queen's Theatre, presenting the aforementioned Richard II, The School for Scandal, Three Sisters, and The Merchant of Venice with a permanent company that included himself, Peggy Ashcroft, Michael Redgrave and Alec Guinness. Although not always acknowledged for this achievement, Gielgud set a precedent in establishing a company of actors gathered together to present classics. This effort proved it could be done and shaped the development of such future theatrical institutions as the Royal Shakespeare Company and the
Succeeding Context: . Gielgud acted in all four productions and directed the two Shakespeare plays, while Tyrone Guthrie directed The School for Scandal and Michael Saint-Denis staged Three Sisters. From Sheridan Morley's authorised biography: "Accustomed as we have now become to...the National Theatre and the Royal Shakespeare Company, it is almost impossible to conceive how revolutionary John's idea was for the West End of 1937, where there had simply been nothing like it since the heyday of Henry Irving and the actor-managers more than fifty years earlier." Laurence Olivier said that Gielgud's performance in The School for Scandal was "the best light comedy performance I have ever seen - or ever shall!" and considered his Shylock to be among his greatest impersonations, but the greatest success of the season was the production of Three Sisters. That production went far toward Gielgud's successful effort to establish Chekhov's's viability on the English-speaking stage. Gielgud's own performance as Vershinin, along with his past successes as Treplev in The Seagull (1929 and 1936), and his later work in The Cherry Orchard (1954), and Ivanov (1965) were part of that Chekhovian legacy.
Paragraph Title: Queen's Theatre season
Source Page: John Gielgud

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