Classifier Instance:

Anchor text: swing
Target Entity: Swing_\u0028jazz_performance_style\u0029
Preceding Context: The first jazz standard composed by a non-Latin to use overt African cross-rhythm was Wayne Shorter's "Footprints" (1967). On the version recorded on Miles Smiles by Miles Davis, the bass switches to 4/4 at 2:20. The 4/4 figure is known as tresillo in Latin music and is the duple-pulse correlative of the cross-beats in triple-pulse. This type of African-based rhythmic interplay between the two pulse (subdivision) structures, was explored in the 1940s by Machito's Afro-Cubans, but "Footprints" is not a Latin jazz tune; Cuban music is not serving as the conduit to African rhythmic structures. Those structures are accessed directly by Ron Carter (bass) and Tony Williams (drums), via the rhythmic sensibilities of
Succeeding Context: . Throughout the piece, the four beats, whether sounded or not, are maintained as the temporal referent. In the example below the main beats are indicated by slashed noteheads. They are shown here for reference, and do not indicate bass notes.
Paragraph Title: null
Source Page: Jazz

Ground Truth Types:

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