Classifier Instance:

Anchor text: Dixieland
Target Entity: Dixieland
Preceding Context: The jazz soloist is often supported by a rhythm section who "comp" (accompany the soloist), by playing chords and rhythms that outline the song structure and complement the soloist. In New Orleans and
Succeeding Context: jazz, performers took turns playing the melody, while others improvised countermelodies. By the swing era, big bands were coming to rely more on arranged music: arrangements were either written or learned by ear and memorized—many early jazz performers could not read music. Individual soloists would improvise within these arrangements. Later, in bebop the focus shifted back towards small groups and minimal arrangements; the melody (known as the "head") would be stated briefly at the start and end of a piece but the core of the performance would be the series of improvisations. Later styles of jazz such as modal jazz abandoned the strict notion of a chord progression, allowing the individual musicians to improvise even more freely within the context of a given scale or mode. The avant-garde and idioms permit, even call for, abandoning chords, scales, and rhythmic meters.
Paragraph Title: null
Source Page: Jazz

Ground Truth Types:

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