Classifier Instance:

Anchor text: Congo Square
Target Entity: Congo_Square
Preceding Context: Whether tresillo was transplanted directly from Cuba, or if the habanera merely reinforced tresillo-like "rhythmic tendencies" already present in African American music in New Orleans and elsewhere is probably impossible to determine. When considering such questions though, it is important to distinguish between African American folk musics and written music. The habanera has clearly had the most documented affect on the latter category. It is reasonable to assume that the bamboula and other Afro-Caribbean folk dances performed in New Orleans
Succeeding Context: were tresillo-based. There are examples of tresillo-like rhythms in a few surviving nineteenth century African American folk musics, such as the foot stomping patterns in ring shout and the post-Civil War drum and fife music. Tresillo is also heard prominently in New Orleans second line music.
Paragraph Title: null
Source Page: Jazz

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