Classifier Instance:

Anchor text: West German
Target Entity: West_Germany
Preceding Context: Since the mid-1950s, Stockhausen had been developing concepts of spatialization in his works, not only in electronic music, such as the 5-channel Gesang der Jünglinge (1955–56) and Telemusik (1966), and 4-channel Kontakte (1958–60) and Hymnen (1966–67). Instrumental/vocal works like Gruppen for three orchestras (1955–57) and Carré for four orchestras and choirs (1959–60) also exhibit this trait (Stockhausen Texte 2:71–72, 49–50, 102–103; Stockhausen 1989, 105–108; Cott 1973, 200–201). In lectures such as "Music in Space" from 1958 (Stockhausen Texte 1:152–75), he called for new kinds of concert halls to be built, "suited to the requirements of spatial music". His idea was a spherical space which is fitted all around with loudspeakers. In the middle of this spherical space a sound-permeable, transparent platform would be suspended for the listeners. They could hear music composed for such standardized spaces coming from above, from below and from all points of the compass. (Stockhausen Texte 1:153) In 1968, the
Succeeding Context: government invited Stockhausen to collaborate on the German Pavilion at the 1970 World Fair in Osaka and to create a joint multimedia project for it with artist Otto Piene. Other collaborators on the project included the pavilion's architect, Fritz Bornemann, Fritz Winckel, director of the Electronic Music Studio at the Technical University of Berlin, and engineer Max Mengeringhausen. The pavilion theme was "gardens of music", in keeping with which Bornemann intended "planting" the exhibition halls beneath a broad lawn, with a connected auditorium "sprouting" above ground. Initially, Bornemann conceived this auditorium in the form of an amphitheatre, with a central orchestra podium and surrounding audience space. In the summer of 1968, Stockhausen met with Bornemann and persuaded him to change this conception to a spherical space with the audience in the center, surrounded by loudspeaker groups in seven rings at different "latitudes" around the interior walls of the sphere (Kurtz 1992, 166; Föllmer 1996).
Paragraph Title: "Space music" and Expo '70
Source Page: Karlheinz Stockhausen

Ground Truth Types:

Predicted Types:

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