Classifier Instance:

Anchor text: Sir Harrison Birtwistle
Target Entity: Harrison_Birtwistle
Preceding Context: Amongst British composers,
Succeeding Context: readily acknowledges the influence of Stockhausen's Zeitmaße (especially on his two wind quintets, Refrains and Choruses and Five Distances) and Gruppen on his work more generally (Cross 2000, 48; Cross 2001; Hall 1984, 3 and 7–8; Hall 1998, 99 and 108; Pace 1996, 27). Brian Ferneyhough says that, although the "technical and speculative innovations" of Klavierstücke I–IV, Kreuzspiel and Kontra-Punkte escaped him on first encounter (Ferneyhough 1988), they nevertheless produced a "sharp emotion, the result of a beneficial shock engendered by their boldness" (Ferneyhough 1988) and provided "an important source of motivation (rather than of imitation) for my own investigations" (Ferneyhough 1988). While still in school, he became fascinated upon hearing the British première of Gruppen, and listened many times to the recording of this performance, while trying to penetrate its secrets—how it always seemed to be about to explode, but managed nevertheless to escape unscathed in its core—but scarcely managed to grasp it. Retrospectively, it is clear that from this confusion was born my interest for the formal questions which remain until today. (Ferneyhough 1988) With respect to Stockhausen's later work, he said, I have never subscribed (whatever the inevitable personal distance) to the thesis according to which the many transformations of vocabulary characterizing Stockhausen's development are the obvious sign of his inability to carry out the early vision of strict order that he had in his youth. On the contrary, it seems to me that the constant reconsideration of his premises has led to the maintenance of a remarkably tough thread of historical consciousness which will become clearer with time. . . . I doubt that there has been a single composer of the intervening generation who, even if for a short time, did not see the world of music differently thanks to the work of Stockhausen. (Ferneyhough 1988) In a short essay describing Stockhausen's influence on his own
Paragraph Title: Musical influence
Source Page: Karlheinz Stockhausen

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