Classifier Instance:

Anchor text: Nordwestdeutscher Rundfunk
Target Entity: Nordwestdeutscher_Rundfunk
Preceding Context: From 1947 to 1951, Stockhausen studied music pedagogy and piano at the Hochschule für Musik Köln (Cologne Conservatory of Music) and musicology, philosophy, and Germanics at the University of Cologne. He had training in harmony and counterpoint, the latter with Hermann Schroeder, but he did not develop a real interest in composition until 1950. He was admitted at the end of that year to the class of Swiss composer Frank Martin, who had just begun a seven-year tenure in Cologne (Kurtz 1992, 28). At the Darmstädter Ferienkurse in 1951, Stockhausen met Belgian composer Karel Goeyvaerts, who had just completed studies with Olivier Messiaen (analysis) and Darius Milhaud (composition) in Paris, and Stockhausen resolved to do likewise (Kurtz 1992, 34–36). He arrived in Paris on 8 January 1952 and began attending Messiaen's courses in aesthetics and analysis, as well as Milhaud's composition classes. He continued with Messiaen for a year, but he was disappointed with Milhaud and abandoned his lessons after a few weeks (Kurtz 1992, 45–48). In March 1953, he left Paris to take up a position as assistant to Herbert Eimert at the newly established Electronic Music Studio of
Succeeding Context: (NWDR) (from 1 January 1955, Westdeutscher Rundfunk, or WDR) in Cologne (Kurtz 1992, 56–57). In 1962, he succeeded Eimert as director of the studio (Morawska-Büngeler 1988, 19). From 1954 to 1956, he studied phonetics, acoustics, and information theory with Werner Meyer-Eppler at the University of Bonn (Kurtz 1992, 68–72). Together with Eimert, Stockhausen edited the journal Die Reihe from 1955 to 1962 (Grant 2001, 1–2).
Paragraph Title: Education
Source Page: Karlheinz Stockhausen

Ground Truth Types:

Predicted Types:

Type	Confidence	Decision
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