Classifier Instance:

Anchor text: Brussels
Target Entity: Brussels
Preceding Context: After completing Licht, Stockhausen embarked on a new cycle of compositions, based on the hours of the day, entitled Klang ("Sound"). Twenty-one of these pieces were completed before the composer's death (Stockhausen-Verlag 2010, 49–50). The works from this cycle performed to date are First Hour: Himmelfahrt (Ascension), for organ or synthesizer, soprano and tenor (2004–2005); Second Hour: Freude (Joy) for two harps (2005); Third Hour: Natürliche Dauern (Natural Durations) for piano (2005–2006); and Fourth Hour: Himmels-Tür (Heaven's Door) for a percussionist and a little girl (2005) (Stockhausen-Verlag 2010, 49). The Fifth Hour, Harmonien (Harmonies), is a solo in three versions for flute, bass clarinet, and trumpet (2006) (Stockhausen-Verlag 2010, 49); the bass clarinet and flute versions were premièred in Kürten on 11 July 2007 and 13 July 2007, respectively (Stockhausen 2007b and Stockhausen 2007c), and the trumpet version was premièred on 2 August 2008 in London at a BBC Proms concert (Stockhausen-Stiftung 2008, 7). The Sixth through Twelfth hours are chamber-music works based on the material from the Fifth Hour (Stockhausen-Verlag 2010, 49). Of these, the Seventh (Balance, for flute, English horn, and bass clarinet), Ninth (Hoffnung, for string trio), and Tenth, Glanz (commission of the Asko Ensemble and the Holland Festival), were premièred on 22 August (Stockhausen-Stiftung 2008, 9), 31 August (Stockhausen-Stiftung 2008, 10), and 19 June (Beer 2008; Voermans 2008), respectively. The première of the Sixth (Schönheit, for flute, trumpet, and bass clarinet) took place on 5 October 2009 at the Grande Auditório of the Gulbenkian Foundation in Lisbon, and that of the Twelfth, Erwachen, on 13 October 2009 in
Succeeding Context: . The Thirteenth Hour, Cosmic Pulses—an electronic work made by superimposing 24 layers of sound, each having its own spatial motion, among eight loudspeakers placed around the concert hall—was premièred in Rome on 7 May 2007 at Auditorium Parco della Musica, (Sala Sinopoli) (Stockhausen 2007a). Hours 14 through 21 are solo pieces for bass voice, baritone voice, basset-horn, horn, tenor voice, soprano voice, soprano saxophone, and flute, respectively, each with electronic accompaniment of a different set of three layers from Cosmic Pulses (Stockhausen-Verlag 2010, 50). Of these, the Twentieth (Edentia for soprano saxophone and electronic music) was premièred on 6 August 2008 (Mischke 2008), the Nineteenth (Urantia for soprano and electronic music) on 8 November 2008 in London, the Fourteenth (Havona for bass voice and electronic music) on 10 January 2009 in Paris (Stockhausen-Stiftung 2008, 15 and 13), and the Twenty-first (Paradies, for flute and electronic music) at the Schleswig-Holstein Musik Festival, at the Laeiszhalle in Hamburg on 24 August 2009. All of the remaining pieces were first performed in the context of the collective premiere of the cycle, at the Festival MusikTriennale Köln on 8–9 May 2010, in 176 individual concerts (Gimpel 2010).
Paragraph Title: 2003–2007
Source Page: Karlheinz Stockhausen

Ground Truth Types:

Predicted Types:

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