Classifier Instance:

Anchor text: Herbie Hancock
Target Entity: Herbie_Hancock
Preceding Context: Weather Report's debut album was in the electronic, psychedelic-jazz vein. The self-titled Weather Report (1971) caused a sensation in the jazz world on its arrival, thanks to the pedigree of the group’s members (including percussionist Airto Moreira), and their unorthodox approach to their music. The album featured a softer sound than would be the case in later years (predominantly using acoustic bass, with Shorter exclusively playing soprano saxophone, and with no synthesizers involved) but is still considered a classic of early fusion. It built on the avant-garde experiments which Zawinul and Shorter had pioneered with Miles Davis on Bitches Brew (including an avoidance of head-and-chorus composition in favour of continuous rhythm and movement) but taking the music further. To emphasise the group’s rejection of standard methodology, the album opened with the inscrutable avant-garde atmospheric piece “Milky Way” (created by Shorter’s extremely muted saxophone inducing vibrations in Zawinul’s piano strings while the latter pedalled the instrument). Down Beat described the album as “music beyond category” and awarded it Album of the Year in the magazine’s polls that year. Weather Report's subsequent releases were refreshingly creative funk-jazz works.
Succeeding Context: 's Headhunters band (1973) was also in the funk-jazz style. Both groups used percussionists in addition to a drum set player. The Headhunters' lineup and instrumentation, retaining only wind player Bennie Maupin from Hancock's previous sextet, reflected his new musical direction. Bassist Paul Jackson was really the only other member who maintained a continuous presence in the lineup in subsequent recordings and concerts. On the original Head Hunters album the other band members were percussionist Bill Summers and drummer Harvey Mason. For the next Hancock album featuring Headhunters, 1974's Thrust, Mike Clark took over drumming duties.
Paragraph Title: null
Source Page: Jazz

Ground Truth Types:

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