Classifier Instance:

Anchor text: Twin Peaks
Target Entity: Twin_Peaks
Preceding Context: While reviews of the film were mostly positive (receiving an 81% rating on Rotten Tomatoes), Mulholland Drive was not without its detractors. Rex Reed of The New York Observer said it was the worst film he had seen in 2001, calling it "a load of moronic and incoherent garbage." In New York, Peter Rainer observed, "Although I like it more than some of his other dreamtime freakfests, it's still a pretty moribund ride ... Lynch needs to renew himself with an influx of the deep feeling he has for people, for outcasts, and lay off the cretins and hobgoblins and zombies for a while." In the Washington Post, Desson Howe called it "an extended mood opera, if you want to put an arty label on incoherence." Todd McCarthy of Variety found much to praise—"Lynch cranks up the levels of bizarre humor, dramatic incident and genuine mystery with a succession of memorable scenes, some of which rank with his best"—but also noted, "(t)he film jumps off the solid ground of relative narrative coherence into Lynchian fantasyland ... for the final 45 minutes, Lynch is in mind-twisting mode that presents a form of alternate reality with no apparent meaning or logical connection to what came before. Although such tactics are familiar from
Succeeding Context: and elsewhere, the sudden switcheroo to head games is disappointing because, up to this point, Lynch had so wonderfully succeeded in creating genuine involvement." James Berardinelli also criticized it, saying: "Lynch cheats his audience, pulling the rug out from under us. He throws everything into the mix with the lone goal of confusing us. Nothing makes any sense because it's not supposed to make any sense. There's no purpose or logic to events. Lynch is playing a big practical joke on us." Film theorist notes "You wouldn’t need all the emotional back-flips and narrative trap doors if you had anything to say. You wouldn’t need doppelgangers and shadow-figures if your characters had souls."
Paragraph Title: null
Source Page: Mulholland Drive (film)

Ground Truth Types:

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