Classifier Instance:

Anchor text: Birmingham Rep
Target Entity: Birmingham_Repertory_Theatre
Preceding Context: When Laurence Olivier gave his acclaimed performance of Othello at the Royal National Theatre in 1964, he had developed a case of stage fright that was so profound that when he was alone onstage, Frank Finlay (who was playing Iago) would have to stand offstage where Olivier could see him to settle his nerves. This performance was recorded complete on LP, and filmed by popular demand in 1965 (according to a biography of Olivier, tickets for the stage production were notoriously hard to get). The film version still holds the record for the most Oscar nominations for acting ever given to a Shakespeare film – Olivier, Finlay, Maggie Smith (as Desdemona) and Joyce Redman (as Emilia, Iago's wife) were all nominated for Academy Awards. Olivier was among the last white actors to be greatly acclaimed as Othello, although the role continued to be played by such performers as Paul Scofield at the Royal National Theatre in 1980, Anthony Hopkins in the BBC Shakespeare television production on videotape. (1981), and Michael Gambon in a stage production at Scarborough directed by Alan Ayckbourn in 1990. Gambon had been in Olivier's earlier production. In an interview Gambon commented "I wasn't even the second gentleman in that. I didn't have any lines at all. I was at the back like that, standing for an hour. [It's] what I used to do – I had a metal helmet, I had an earplug, and we used to listen to The Archers. No one knew. All the line used to listen to The Archers. And then I went and played Othello myself at
Succeeding Context: I was 27. Olivier sent me a telegram on the first night. He said, "Copy me." He said, "Do what I used to do." Olivier used to lower his voice for Othello so I did mine. He used to paint the big negro lips on. You couldn't do it today, you'd get shot. He had the complete negro face. And the hips. I did all that. I copied him exactly. Except I had a pony tail. I played him as an Arab. I stuck a pony tail on with a bell on the end of it. I thought that would be nice. Every time I moved my hair went wild." British blacking-up for Othello ended with Gambon in 1990, however the Royal Shakespeare Company didn't run the play at all on the main Stratford stage until 1999, when became the first black British actor to take the part, the first black man to play Othello with the RSC since Robeson.
Paragraph Title: null
Source Page: Othello

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