Classifier Instance:

Anchor text: Thomas Rymer
Target Entity: Thomas_Rymer
Preceding Context: Michael Neill, editor of the Oxford Shakespeare edition, notes that the earliest critical references to Othello's colour, (
Succeeding Context: 's 1693 critique of the play, and the 1709 engraving in Nicholas Rowe's edition of Shakespeare), assume him to be Sub-Saharan, while the earliest known North African interpretation was not until Edmund Kean's production of 1814. Honigmann discusses the view that Abd el-Ouahed ben Messaoud ben Mohammed Anoun, Moorish ambassador of the Arab King of Barbary to Queen Elizabeth I in 1600, was one inspiration for Othello. He stayed with his retinue in London for several months and occasioned much discussion. While Shakespeare's play was written only a few years afterwards Honigman questions the view that ben Messaoud himself was a significant influence on it.
Paragraph Title: Race
Source Page: Othello

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