Classifier Instance:

Anchor text: Leeds
Target Entity: Leeds
Preceding Context: Housman's poetry, especially A Shropshire Lad, provided texts for a significant number of British, and in particular English, composers in the first half of the 20th century. The national, pastoral and traditional elements of his style resonated with similar trends in English music. The first was probably the cycle A Shropshire Lad set by Arthur Somervell in 1904, who had begun to develop the concept of the English song-cycle in his version of Tennyson's Maud a little previously. Ralph Vaughan Williams produced his most famous settings of six songs, the cycle On Wenlock Edge, for string quartet, tenor and piano (dedicated to Gervase Elwes) in 1909, and it became very popular after Elwes recorded it with the London String Quartet and Frederick B. Kiddle in 1917. Between 1909 and 1911 George Butterworth produced settings in two collections or cycles, as Six Songs from A Shropshire Lad, and Bredon Hill and other songs. He also wrote an orchestral tone poem on A Shropshire Lad (first performed at
Succeeding Context: Festival under Arthur Nikisch in 1912).
Paragraph Title: Music and art song
Source Page: A. E. Housman

Ground Truth Types:

Predicted Types:

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