Classifier Instance:

Anchor text: Edmund Kean
Target Entity: Edmund_Kean
Preceding Context: Byron, Keats and Shelley all wrote for the stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was not played in a public theatre in England until a century after his death. Byron's plays, along with dramatisations of his poems and Scott's novels, were much more popular on the Continent, and especially in France, and through these versions several were turned into operas, many still performed today. If contemporary poets had little success on the stage, the period was a legendary one for performances of Shakespeare, and went some way to restoring his original texts and removing the Augustan "improvements" to them. The greatest actor of the period,
Succeeding Context: , restored the tragic ending to King Lear; Coleridge said that, “Seeing him act was like reading Shakespeare by flashes of lightning.”
Paragraph Title: null
Source Page: Romanticism

Ground Truth Types:

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