Classifier Instance:

Anchor text: Edward Greenfield
Target Entity: Edward_Greenfield
Preceding Context: By the end of the 19th century the classic form of opera structure, in which arias, duets and other set-piece vocal numbers are interspersed with passages of recitative or dialogue, had been largely abandoned, even in Italy. Operas were "through-composed", with a continuous stream of music which in some cases eliminated all identifiable set-pieces. In what critic
Succeeding Context: calls the "Grand Tune" concept, Puccini retains a limited number of set-pieces, distinguished from their musical surroundings by their memorable melodies. Even in the passages linking these "Grand Tunes", Puccini maintains a strong degree of lyricism and only rarely resorts to recitative.
Paragraph Title: General style
Source Page: Tosca

Ground Truth Types:

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Predicted Types:

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yagoGeoEntity-2.16225689818983 0
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