Classifier Instance:

Anchor text: Magritte
Target Entity: Ren\u00e9_Magritte
Preceding Context: Mendes' dominating visual style was deliberate and composed, with a minimalist design that provided "a sparse, almost surreal feeling—a bright, crisp, hard edged, near
Succeeding Context: -like take on American suburbia"; Mendes constantly directed his set dressers to empty the frame. He made Lester's fantasy scenes "more fluid and graceful", and Mendes made minimal use of steadicams, feeling that stable shots generated more tension. For example, when Mendes used a slow push in to the Burnhams' dinner table, he held the shot because his training as a theater director taught him the importance of putting distance between the characters. He wanted to keep the tension in the scene, so he only cut away when Jane left the table. Mendes did use a hand-held camera for the scene in which Col. Fitts beats Ricky. Mendes said the camera provided the scene with a "kinetic ... off balance energy". He also went hand-held for the excerpts of Ricky's camcorder footage. It took Mendes a long time to get the quality of Ricky's footage to the level he wanted. For the plastic bag footage, Mendes used wind machines to move the bag in the air. The scene took four takes; two by the second unit did not satisfy Mendes, so he shot the scene himself. He felt his first take lacked grace, but for the last attempt he changed the location to the front of a brick wall and added leaves on the ground. Mendes was satisfied by the way the wall gave definition to the outline of the bag.
Paragraph Title: null
Source Page: American Beauty (film)

Ground Truth Types:

Predicted Types:

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