Tikhon Khrennikov
The composer Tikhon Nikolayevich Khrennikov (born June 10 (May 28, Old Style), 1913 in Yelets, Orlov District) wrote three symphonies, three piano concertos, two violin concertos, two cello concertos, operas, operettas, ballets, chamber music, incidental music and film music, but was better known in his lifetime for his political activities.Khrennikov started learning to play piano as a child. As a teen he moved to Moscow, where he studied composition at Gnesin Music College under Mikhail Gnesin and Yefraim Gelman from 1929 to 1932, then he continued under Litinsky and Vissarion Shebalin at the Moscow Conservatory from 1932 to1936, also studying piano under Heinrich Neuhaus. He wrote and played his Piano Concerto No. 1 during his student years, and his Symphony No. 1 was his graduation piece.
In 1948, Andrei Zhdanov appointed Khrennikov to Secretary of the Union of Soviet Composers, and it was in this office for which he is most remembered, negatively, in the biographies of Prokofiev and Shostakovich, composers whom he criticized for "formalism". However, he is credited by some for protecting some Soviet composers. Through sham elections, Khrennikov remained Secretary until the collapse of the Soviet Union.
Khrennikov returned to the concert stage in the 1960s, playing his Piano Concerti. He had a rapport with violinist Leonid Kogan and conductor Mstislav Rostropovich, and they recorded one of his Violin Concertos. In the 1980s Khrennikov resumed composition with renewed vigor. His Symphony No. 3 used serial procedures, which he had denounced in earlier years.
His 1994 memoirs (ASIN 5714005635) are rumored to contain formerly secret Soviet documents.
http://home.wanadoo.nl/ovar/khrenn.htm Onno van Rijen's page on Tikhon Khrennikov
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